PİYANİSTİN DOKU ÜZERİNDEKİ TONASYONEL YANSIMASININ ÖNCELİĞİ: OKUMADAN YORUMLU DÜZENLEMEYE KADAR.̇, 18-30
PRIORITY OF THE PIANIST'S INTONATIONAL REFLECTION ON THE TEXTURE: FROM READING TO INTERPRETIVE EMBODIMENT.
Olga Kripak
BOLESLAV YAVORSKY’NİN YAPI İLKELERİNİN “GEÇ BAROK-ERKEN KLASİZM” KLAVİER SÜİTİNDE YANSIMASI BAĞALAMINDA DANS KABİLİYETİ̇, 80-89
Danceability as a Reflection of Boleslav Yavorsky’s Construction Principles in the Clavier Suite of the Late Baroque/Early Classical Period
http://dx.doi.org/10.29228/iletisimvesanat.64787
Olga Kripak